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PROJECT DETAILS METHOD CLIENT

A Kind of Magic

3 x 1/2 hours

Flash

Xilam Animation

Class of the Titans II

26 x 1/2 hours

2D

Studio B Productions

Eliot Kid

49 x 13 minutes

Flash

Samka Productions

Martha Speaks - Layout

31 x 12 minutes

Flash

Studio B Productions

Martha Speaks - Background

26 x 12 minutes

Flash

 

Martha Speaks - Animation

4 x 12 minutes

Flash

 

Ricky Sprocket - Background

42 x 11 minutes

Flash

Studio B Productions

Ricky Sprocket - Animation

34 x 11 minutes

Flash

 

George of the Jungle - Layout

21 x 11 minutes

Flash

Studio B Productions

George of the Jungle - Background

32 x 11 minutes

Flash

 

George of the Jungle - Animation

19 x 11 minutes

Flash

 

Skunk Fu

23 x 12 minutes

Flash

Hoek, Line & Thinker
Productions/Cartoon Saloon

Los Campeones de la Luche Libre

1 x 65 minutes

Flash

FWAK! Animation

Being Ian IV - Backgroud

10 episodes

Flash

Studio B Productions

The Adventures of Tom II

5 x 1/2 hours

2D

Cromosoma TV Productions

Baby Alive

TVC

2D

Wildbrain, Inc.

Ponyville

TVC

2D

Wildbrain, Inc.

Cap'n Crunch

TVC

2D

Wildbrain, Inc.

 

STUDIO ADDRESS : Suite 601, 6th Floor West Tower, Philippine Stock Exchange Centre,
Exchange Road, Ortigas Center, Pasig City, Philippines 1605
FLOOR SPACE : 1,749 square meters
DIGITAL PAINT : US Animation - 23 licenses
BACKGROUNDS : Photoshop - 12 licenses
FLASH : 147 licenses
STAFF : 700
 
 

Globally, 2007 was a bullish year for the animation industry with there being no apparent shortage of production projects available for the world’s production houses.

From our perspective, we were well placed to take full advantage of the cycle and managed to record our biggest year……by far.  It was clear that our earlier decisions to expand our facilities and I.T. infrastructure paid off.  It’s also self-evident that no amount of facilities expansion is worth a “dime” without a similar expansion in personnel and, in this regard, our continued commitment to training put the icing on the cake for us.

The business mix was also interesting.  Compared to 2003 which was 100% 2D, 2007 resulted in 7 Flash series being produced against our 2 x 2D series.  This is very much a sign of the times.  2D is definitely becoming a rarer animal and Flash (digital) style productions continue to increase in number.  Again, Top Draw’s decision in 2003 to embrace Flash has certainly paid dividends.

The Philippines continues to cement its position as a preferred broad-based Outsourcing destination to the rest of the world and this can only help the animation sector.

 
 
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